April is national poetry month. If you’re thinking “yeah, so
what?”, you’ve got a lot of company. In 2012 the National Endowment for the
Arts conducted a Survey of Public Participation in the Arts. According to an LA
Times article, More
than half of American adults read books for pleasure in 2012, “People
reading poetry for pleasure has plunged in the last decade, dropping by 45%.
Among adults who read books for pleasure, less than 7% now say they read
poetry.”
With less and less
people reading poetry, why does poetry matter? In school we’re taught the
basics of the English language. We learn to spell. We learn that sentences need
to contain a subject and a predicate, begin with a capital letter and end with
a predefined punctuation mark.
That’s all fine
for daily conversation, writing notes and writing papers. But proper sentences
are linear. What happens when what I want to express isn’t linear? What happens
when I can’t find the word to describe something or the work that matches how I
feel? What happens when there doesn’t seem to be a word for what I want to say?
This is where
poetry comes in. In poetry words and language are more than just tools, they
become art. Poetry releases words from the linear confines of sentences and
standard grammar. A noun can be a verb. An adjective or a verb can be a revelation.
Poetry is painting with words.
When words
become paint they intertwine and the shading between them reveals what cannot
be described in a single word. Poetry frees us from the limitations of
language. Poetry can distill individual experience into something transpersonal
that we can all identify with. Poetry is big enough to encompass death, birth
and transitions in a page or a single stanza.
When we read
poetry we open ourselves to seeing the common and the extraordinary and
ourselves in a new way. Poetry can push us to wrestle with big questions or
invite us deeper into the mysterious. Reading poetry can open us to new ways to
use words.
My love of poetry
began in high school. In honor of National Poetry Month, here’s one of mine:
Origin
I was behind where I stood and up ahead
looking back.
-Susan Mitchell, Autobiography
For some unbeknownst purpose
I am an alien radio, tuned
to a largely forgotten frequency
of dead languages and ghost song
where my ancestors encryption
lies
broken.
(Even
after the cypher splintered,
I
couldn’t crack the code.)
I want to say the world exiled me
but I was born this way, born into
a friction house where mother’s
Mormon devotion scraped against
father’s atheism and I believed
in neither.
(I’ve
watched the monsters
wear
gods other face.)
So what is the origin of exile?
Past lives, past lies competing
with the aura’s aria to sculpt
personality. It’s a wonder
I can navigate around
the furniture let alone remember
my name.
(The
name my parents gave me
belongs
to a different life.)
The tripwire stretched taut between
belonging and ownership finds me
lacking in possessions and earmarked
a leftover, an extra part not accounted
for in the assembly instructions,
choking
hazard.
(What if I’ve
mistaken birth
for beginning, transposed
inception and
intention?
Then my origin is
an epilogue.)
April 30 is Poem in Your Pocket Day. Consider selecting a poem, carrying it with you and sharing it friends, check out clerks and the others you met that day. In the words of Patti Smith, "Remember we are mortal, but poetry is not."
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